Lorraine Field confronts our mortality / Review by Daniel Higham

Symbolically connected / Editorial by Lizzy Hill

Amery Sandford’s complex relationship with Newfoundland identity / Essay by Craig Francis Power

Stephanie Yee’s feast for thought / Profile by Jonathan Rotzstain

A walk through Rachel Morouney’s funerary jars / Review by Kathleen Higgins

Remembering Felicity Redgrave / In memoriam by Ray Cronin

Jordan Bennett, Ursula Johnson and the potency of language / Review by Craig Francis Power

Gallery Guide / Exhibition listings by Lizzy Hill

Feminist data visualization and the politics of information / Review by Amanda Shore

Landon Mackenzie’s personal creative process / Review by Ray Cronin

Richard Ibghy and Marilou Lemmens assess our relationship with work / Review by Geordie Miller

INSIDE/OUT

Rilla Marshall maps lost terrain: Review by Kathleen Higgins

Inside Out: Editorial by Lizzy Hill

Artists explore the domestic: Review by Mary MacDonald

On environments with Jesse Jacobs: Profile by Jonathan Rotsztain

Unearthing Hank Bull: Review by Kathleen Higgins

Ray Fenwick’s identities in flux: Dispatch by sophia bartholomew

Gallery Guide

On interpreting the woodland: Eryn Foster interviews Susan Tooke

Artist Page: Tonia Di Risio

Towards a theory of grant aesthetics: Essay by Merray Gerges

In the Issue:

Janet Wright-Cheney’s Cellar: Review by Audrey Nicoll

Editorial by Lizzy Hill: (in)habit

Séripop’s exploration of entropy: Review by Christian Ledwell

Making Otherwise: Review by Daniel Higham

Jeff Whetstone’s Feral Lands: Review by Kathleen Higgins

Petapan First Light Arts Symposium: Art News by Shannon Webb-Campbell

Black Ice: David Blackwood: Book Review by Lizzy Hill

Colville: Book Review by Mike Landry

Exhibition Spotlight: Your Spring gallery guide

(im)mobile’s shifting spaces: Review by Kathleen Higgins

Camp Fire’s subversive ceramics:Review by Hilary Beaumont

Mathieu Léger’s Cultural Detritus: Review by Mike Landry

On Community: Editorial by Lizzy Hill

Artist Pages: Jerry Ropson

Jerry Ropson’s everyday curiosities: Q & A by Kaylee Maddison 

Doing Our Own Thing: Review by Tila Kellman

Ursula Johnson’s Mi’kwite’tmn (Do You Remember): Review by Hilary Beaumont

Oh, Canada comes home: Feature by Lizzy Hill

Emily Falencki’s  solo exhibition at the AGNS: Review by Audrey Nicoll

Halifax’s Art Boat Project: Art News by Daniel Higham

All that Glows: Review by Kathleen Higgins

Hangama Amiri’s love of place: Profile by Veronica Simmonds

Decoding Graeme Patterson: Feature by Audrey Nicoll

The Nostalgia Issue: Editorial by Lizzy Hill

Mike Gough’s RETRACE: Review by Jennifer McVeigh

Magic and Realism: Essay by Aaron Weldon

Rose Adams: Survival, death and remembering: Feature by Tila Kellman

Exhibition Listings Summer 2014

Revisiting rebellion with the launch of Queer Looking, Queer Acting Revisited: Feature by Hilary Beaumont

A conversation with John Devlin: Q&A by Eryn Foster

André Lapointe’s natural fakes: Feature by Mike Landry

Somewheres’ uneasy impermanence: Review by leonard paul macpherson

Melanie Colosimo’s Midpoint: Review by Katie Belcher

nichola feldman-kiss’ embedded art: Q&A by Veronica Simmonds

Tamara Huxtable on coming clean: Atlantic Spotlight by Daniel Higham

Unearthing Moncton’s most controversial art show: Feature by Mike Landry

The Power Issue: Editorial by Lizzy Hill

Scott Saunders’ Guerilla Galleries: Feature by Kathleen Higgins

True Grit’s power play: Review by Daniel Higham

Mapping social capital in the Canadian art world: Response by Sophia Bartholomew

Rita McKeough’s industrial feast: Review by Hilary Beaumont

Artist Pages: Sarah Burwash

Current Conditions and Forecasts:  Eryn Foster interviews Katie Belcher

Entangled Particles’ haunting poetry: Review by Shannon Webb Campbell

Duane Linklater investigates the nature of language: Profile by Adria Young

Feature: On the Road with David Askevold by Mike Landry
Editorial by Lizzy Hill: The Nomadic Issue
Review: Shary Boyle’s Underwater Subconscious by Mireille Eagan
Profile: Getting lost with Melanie Authier by Allison Saunders
Review: Steve Higgins New Work by Tila Kellman
Exhibition Listings
Feature: Unearthing the Eyelevel archives by Daniel Higham
Field Notes: Lucy Pawlak’s “third space” on Fogo Island by Kay Burns
Review: Daniel Vogel’s Siftor and My Name is Owen by Mike Landry
Review: Motion Activated connects sound and movement by Adria Young
Community Focus: Hannah Minzloff’s Portraits on Portland by Heather L. MacLeod
In Memorian: Alex Colville’s Visual Poetry by Ray Cronin
Backpage Response: Objection tackles the craft/art semantic by Aaron Weldon