Though some mark 50th anniversaries with gold, Séripop’s The Face Stayed East, the Mouth Went West marks the 50th anniversary of Charlottetown’s Confederation Centre by opening with more striking elements. Interested in exploring entropy in bright colours and on a grand scale, Séripop—who are Montreal-based duo Chloe Lum and Yannick Desranleau—inject a measure of disorder into the...
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A maker of stories and collector curious things, Jerry Ropson strings together tiny histories that explore the ties between people, place and identity. We feature Ropson's work in our fall issue of the magazine.
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Since 1984, John Devlin has created 675 letter-size sketches centred around King's College in Cambridge. Eryn Foster catches up with Devlin as his spring show opens at Paris’ Christian Berst Gallery.
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Eryn Foster interviews Halifax-based artist Katie Belcher. From conducting research with a charcutier to meeting a composer in Spain who taught her how to translate music into a visual form, Belcher divulges how spending a year in Europe has influenced her approach to art-making.
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Here’s a sneak peek of Visual Arts News Spring 2014 Issue, available on news stands across Canada February 1 and on Zinio January 15. Visual Arts News is happy to announce the Spring 2014 artist page competition winner, Sarah Burwash. Sarah Burwash grew up Rossland, a small mountain town in British Columbia, Canada, and currently...
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Mike Landry traces conceptual artist David Askevold's chance encounters and collaborations on the road.
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Eastern Edge Gallery, St. John`s, NL. December 15, 2012 – February 9, 2013 Halifax-based artist Chris Foster’s Frontiers in Real Estate explores contradictory themes of civilization—its fear stories, misguided good intentions and self-indulgent sincerities. Foster’s dark humour is never moral, at least not overtly. Composed of serigraphs, collage and small sculpture, his work considers the...
Read MoreHuman activity has permeated the natural world to such a degree that our idealistic notions of where nature ends and we begin no longer hold water. In this issue of Visual Arts News, a handful of artists explore the creation and collapse of boundaries between human-made and natural worlds.
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In September 2012, Eyelevel Gallery, an artist-run centre in North End Halifax, was more than simply a venue to take in contemporary art. It transformed into the headquarters of the World Portable Gallery Convention, complete with a stately desk in the main space, a row of wristwatch faces on the wall displaying international time zones,...
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James Geurts isn’t your typical landscape artist. Living, creating and surfing in Melbourne, Australia, it’s no wonder he’s developed an affinity for the great outdoors.
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I pulled up to the Grand Manan Island Art Gallery on my way to Deep Cove for another swim in the Bay of Fundy. I’ve braved the foot-numbing surf for the past two days, and my legs are itchy from yesterday’s salt. Shutting off the tremulous twang of Wilf Carter on the car’s cassette stereo,...
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Moncton-based photographer and filmmaker Jaret Belliveau’s photographic work addresses illness and loss. Arguably, Belliveau is best known for his series Dominion Street (2003-2008), which began as a visual investigation into family dynamics and the hegemonic balances of power that maintain them. However, ten months into the project, Belliveau’s mother was diagnosed with stomach cancer. Soon...
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