Magazine

New Found Lands magnifies the margins

Artists pay homage to the Afro-Carribean voices the history books ignore

With New Found Lands, curators Pamela Edmonds and Bushra Junaid have reimagined a narrative by magnifying its margins.

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Flesh and fiber

WhiteFeather Hunter takes bio art to new frontiers

WhiteFeather Hunter is creating living textiles: using her own hair, silk or gut sutures and mini 3D-printed looms and crochet hooks to weave scaffolding upon which connective tissue can foster.

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Marigold Santos’ hybrid selves

The otherworldly magic of Filipina/Canadian artist Marigold Santos

Inspired by the terrifying tales of mythical monsters she connected with as a child, Marigold Santos unravels her memories and experiences to form her own personal myths, inspiring viewers to do the same.

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Towards a theory of grant aesthetics

Visual Arts News Critical Writer in Residence Essay Series: Vol. 1

In an art world unbeholden to market forces, what’s the correlation between the jurors of funding councils and awards to who they render visible and the image of Canadian that presents to the rest of the world?

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Disappearing Terrain

Rilla Marshall maps our lost landscapes

There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.

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Going there: The playful pain of Neil LaPierre

Delving into the personal and surreal, Neil LaPierre is committed to bringing the HA-HA’s into art discourse.

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Richard Mueller

Liberated Form

Richard Mueller puts pop imagery in a blender

Richard Mueller is not so interested in coherent pictorial space or literal depiction as in the potential of formal arrangements to engender associative and emotional responses “independent of literal language.”

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Paul Édouard Bourque

Echoes across time and space

L’Acadie Mythique retraces identity and culture

L’Acadie Mythique, a travelling exhibition that recently visited the Saint Mary’s University Art Gallery, is curated by Harlan Johnson and features nearly twenty different artists from across the Acadian diaspora.

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Q + A: Jordan Bennett

Mi’kmaq artist bringing traditional Beothuk and Mi’kmaq art into contemporary discourse

Visual Arts News was excited to feature the work of artist Jordan Bennett in our Fall 2015 issue. In this online installation of her interview series, Current Conditions & Forecasts, Eryn Foster chats with Bennett about everything ranging from his experiences representing Newfoundland in Venice to his work bringing traditional Indigenous art forms into contemporary art discourse. ERYN FOSTER: You...

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Found in the Fog

Below the surface with Michael Pittman

  As we walked downtown, my friend described how two old hags had chewed on either side of her neck the night before. It wasn’t the first time. “I’ve learned that the trick,” she told me, “is that I just have to let it happen, to remind myself that it’s not real.” This was a...

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Retracing the past

A conversation with Cathy Busby

Cathy Busby displays the artworks that the Confederation Centre Art Gallery’s first director, Moncrieff Williamson, acquired half a century ago on a shoestring budget ahead of a royal visit from the Queen. Or at least, what was left of them.

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Physical Landscapes

Anatomica’s view on the interior

  While exploring Anatomica, I experienced several moments of disorientation, unsure whether I was approaching a piece with stronger connections to an artists’ studio or a laboratory. Take the human spine curving from a steel frame in the gallery. From a distance, artist Sarah Maloney’s Vertebrae, Sacrum, Coccyx looks like a replica meant to be...

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