Reflections of neon Beothuk pendants, electric colours, and textures coalesce into the dark, marbled concrete floor of Eastern Edge Gallery. The energy of the artwork in My Cousin’s Cousin cannot be contained to just the walls of the gallery—it activates all surfaces. This exhibition highlighting the interrelatedness between all beings was created as part of...
Read More
MacDonald tells me that “this work is sad. It is about contemporary mourning and historical mourning, but it is also a call to action and to empathy.” In these betweens there is also a generative tension that illuminates hope and possibility.
Read More
Greeley uses the car windshield as a frame, and the highway as a major compositional element in her paintings. Objects often cropped out of tourism brochures, such as road signs, guardrails and lane markings, become significant features. The aesthetic of the highway is reflected in her refined style. Like the graphics used on highway signs, each element is clear and readable. Layered together, however; they create intricate compositions and complex, open-ended narratives
Read More
Indigenous art challenges and overthrows colonial expectations. It combats shame. It pushes beyond prejudice, shimmers with resilience, and counteracts art history’s Eurocentric mythology. First Nations Cree artist and curator, Kent Monkman’s exhibition Shame and Prejudice: A Story of Resilience responds to the Canada 150 celebrations through the subversive lens of his gender-fluid alter ego Miss...
Read More
Billions are said to be in global circulation. In the United States alone, five hundred million are manufactured every year. They are everywhere, including inside and outside of our large retail shops. Their ubiquity and number, however, do not guarantee their visibility. Few of us look at, let alone think about the wooden shipping...
Read More
“Something happens when you’re walking and you’re kind of selecting which plant you want ... Sometimes I’m just walking and I’m not even thinking of collecting plants, but I see a plant and its almost like our eyes meet.”
Read More
“It can be powerful and provocative to bring decoration in. It’s unexpected and not always seen as high fine art."
Read More
Nous avons seulement eu une perspective de notre histoire, c’est la perspective des British. Les livres d’histoire ont été écrits d’après leurs témoignages.
Read More
"In my paintings I highlight heroes that people should know who we don’t learn about in school. We didn’t know that there was an Acadian resistance."
Read More
Visual Arts News' research intern explores the legacy of two NFB films from the '70s—One film portrayed Indigenous people in visual art, while the other depicted Indigenous people as visual art.
Read More
Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.
Read More
Daniel Hutchinson explores the artistic possibilities of black paint, sculpted with striations that capture or reflect light in ways that create the illusion of space.
Read More
