The Scotiabank Nuit Blanche spectacle in Toronto with its more than 110 contemporary art projects gets most of the press, of course, but Charlottetown’s fourth annual Art in the Open—with more than 36 projects in six locations throughout PEI’s capital city—was an evening’s entertainment worth the travel. In 2013 I made the error of having...
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A house, whether it is built of bricks, stones, clay or paper, is always more than the materials that make it. In her recent exhibition Housework(s) (at The Rooms gallery in St. John’s.), Pam Hall explores the essence of the house and the core qualities that support its physical structure. Hall’s social engagement with the...
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A maker of stories and collector curious things, Jerry Ropson strings together tiny histories that explore the ties between people, place and identity. We feature Ropson's work in our fall issue of the magazine.
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Like snapshots of ephemeral performances and land art pieces, or installation shots which end up being re-presented in their own installative environments, Greenshaw captures in her work exemplary paradoxes.
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For more than 20 years, Denise Hawrysio has continuously pushed the boundaries of printmaking, shifting traditional printmaking techniques into the realm of contemporary art while reflecting modern realities. Hawrysio removes the walls between her studio and the outside world by taking her etching plates into everyday public spaces, where she finds unique and unexpected ways...
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Chris Myhr is captivated by the destructive power of water. In this Visual Arts News podcast, Veronica Simmonds chats with the Ontario-based artist about his exploration of the Halifax Harbour and the ships wrecked beneath its surface.
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Since 1984, John Devlin has created 675 letter-size sketches centred around King's College in Cambridge. Eryn Foster catches up with Devlin as his spring show opens at Paris’ Christian Berst Gallery.
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Eryn Foster interviews Halifax-based artist Katie Belcher. From conducting research with a charcutier to meeting a composer in Spain who taught her how to translate music into a visual form, Belcher divulges how spending a year in Europe has influenced her approach to art-making.
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In this podcast for Visual Arts News, Veronica Simmonds chats with Halifax-based artist Michael McCormack about his explorations into shortwave radio. McCormack discusses revisiting the obsolete medium in his upcoming show at New Brunswick's Galerie Sans Nom (February 28-April 4), Station, and his use of short-wave artifacts collected by his grandfather, a communications expert and avid collector.
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Sarah Burwash's drawings feel like strange, hauntingly beautiful lucid dreams—A flock of birds tug at the flowing dark hair of a naked young woman, moths flutter around a cluster of lanterns, floating gracefully to their death, and a woman dozes off lazily in a snake-filled garden.
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