Marie-Line Leblanc and Sara Dignard were to deny the Google Maps or other formal ways of mapping the area and seek the unwritten in the unexpected.
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There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.
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Delving into the personal and surreal, Neil LaPierre is committed to bringing the HA-HA’s into art discourse.
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Like snapshots of ephemeral performances and land art pieces, or installation shots which end up being re-presented in their own installative environments, Greenshaw captures in her work exemplary paradoxes.
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I was introduced to a world I hardly knew, when I travelled to Italy for the 55th Venice Biennale.
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Mike Landry traces conceptual artist David Askevold's chance encounters and collaborations on the road.
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Eastern Edge Gallery, St. John`s, NL. December 15, 2012 – February 9, 2013 Halifax-based artist Chris Foster’s Frontiers in Real Estate explores contradictory themes of civilization—its fear stories, misguided good intentions and self-indulgent sincerities. Foster’s dark humour is never moral, at least not overtly. Composed of serigraphs, collage and small sculpture, his work considers the...
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Escaping the hubbub of Dalhousie Graduation mayhem, I entered the Dalhousie Art Gallery and felt an eerie calm. There was a dark sparseness to the space: black walls, limited light and silence. Well not complete silence—after all I was there to listen to the Sounding Selves exhibit. Curated by The National Gallery of Canada’s Heather...
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“It’s been a few years, I’m trying to remember how it started.” Tom Young and I are sitting in the entranceway of the Eyelevel Gallery in Halifax. It’s February and we are at the launchparty for the Black Rabbit Arts Festival, a month-long series of playful events for the arts community. Black Rabbit features sculptural...
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