Nous avons seulement eu une perspective de notre histoire, c’est la perspective des British. Les livres d’histoire ont été écrits d’après leurs témoignages.
Read More
"For a long time, the Internet felt like the safest space to have conversations about race, gender, sexuality and mental health, when the communities I was brought up in shamed these things."
Read More
"In my paintings I highlight heroes that people should know who we don’t learn about in school. We didn’t know that there was an Acadian resistance."
Read More
"My interpretation of art history is that craft is conceptual art. Craft was a whole new field invented by certain artists as a reaction to the industrial revolution."
Read More
"For me growing up in East Africa and living in the Western world, when I first came, there was always this idea that I was exotic."
Read More
Jerry Ropson’s to kiss a goat between the horns is a memorial to a cultural vernacular and way of life that has already left us—his grandfather's rural Newfoundland culture.
Read More
Johnson and Bennett create a fitting metaphor for the original and ongoing white-washing of Indigenous language and culture in our society at large and artistic culture in Canada.
Read More
“People thought I was a guy. I kept secret that I had three kids. I kept secret that I was a woman.”
Read More
Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.
Read More
Ambera Wellmann's oil and Instagram works are in dialogue with the rich tradition of European painting. Wellmann's pushing both mediums and proving the timeless potency of the unsettling image.
Read More
That these pieces “live” as they do is overwhelmingly apparent in Mid-Sentence; they exist in conversation with each other across distance and time, a living interaction, and they evoke a sense beyond the physically sculptural, beyond image, to live in relation to the viewer.
Read More
With New Found Lands, curators Pamela Edmonds and Bushra Junaid have reimagined a narrative by magnifying its margins.
Read More
