Community Focus

TRANSCRIPT – Meeting Waters: Cross-Cultural Collaboration On Environmental Racism

This event occurred on October 14th 2020, as an Anchor project of Nocturne Halifax. Meeting Waters: Cross-Cultural Collaborations on Environmental Racism with Ingrid Waldron was an online event centering Black and Indigenous solidarity through cross-cultural exchanges on environmental racism in Mi’kma’ki. Speakers and performers were brought together to share stories and experiences of environmental racism...

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Memorial Work by Venezuelan Diaspora Artists

“Hometactics,” according to Latina philosopher Mariana Ortega, is a notion of everyday praxis as a way to feel comfortable in unwelcoming worlds, all the while remaining aware of the oppressive nature of dominant norms in those worlds. The contradiction of finding comfort in a hostile environment can be observed in Memorial: Work by Venezuelan Diaspora...

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Remembering Africville

Nova Scotia was once home to Africville, one of the oldest Black settlements outside of the African Continent. Africville’s oral history supports its existence as far back as the 1700s. It was located on the Bedford basin of the city of Halifax in the general area the Alexander Murray MacKay Bridge now occupies. In the...

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Relocation by “Renoviction”

New survey reveals the causes of the steep decline in Halifax’s North End artist studios

When I conducted a survey of 46 Halifax-based artists in October 2019, the number one reason they gave for leaving their North End studios was eviction/demolition. This staggering statistic comes as no surprise to artists who have been relocated in various waves of “renoviction” in the last decade.

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Atlantic Art-chitecture

Another common thread linking this new wave of Atlantic architects is how they view their field. Whereas in big architectural firms the focus is on technique and functionality, everybody I spoke to believes that the most important element of architecture is the design, and how it makes people feel.

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Flowing Into Bonavista Biennale

Seawater churns white as the beginning of a storm throws waves into the cove far below my feet. I can’t see anything in the foam at first. Then a green kitchen chair appears, perfectly still on a flat, rocky outcropping, as if someone has just pushed it away from a table. In a moment it’s...

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Appearance

Public and participatory practices here, elsewhere and anywhere.

Hosted at Parsons School of Art and Design in New York City as part of Project Anywhere, the “Elsewhere and Anywhere” conference presents art and research at “the outermost limit of site specificity”. The project hosts artists whose work engages micro to macro – bringing smaller, localized stories into the international art realm and beyond. It offered the opportunity to tap into the artistic psyche and methods used to reach public audiences through art.

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The Most Important Thing

Art and the Rural Renewal of Fogo Island

Unlike standard economic development, Cobb illustrates an arts-and community-centered approach can only move at the “speed of human trust,” which means that it presents unique barriers. When Cobb and her brothers pitched their proposal to the provincial and federal governments for funding assistance, they heard back that the idea was “not normal, practical, reasonable, or rational.” Cobb said that this was the moment that concretized her faith in Shorefast, which was formed in 2006 and has been an overwhelming success since.

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Re-discovering Indigenous Identities

The impact of the Identify Festival

To “identify” is to name something and render it visible, even if it may have been present all along. Organized by Eastern Edge Gallery, the Identify festival facilitates the gathering and sharing of traditional and contemporary artistic and cultural practices of Indigenous peoples in Newfoundland and Labrador including Mi’kmaq, Inuit, Innu, Southern Inuit of Nunatukavut...

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Black Light, White Night

Nocturne 2018

This year was Nocturne’s tenth edition. A milestone for the organization, marked by a partnership with the Aboriginal Curatorial Collective, who helped select Raven Davis as Nocturne’s first Indigenous Curator. Davis, in turn, selected this Nocturne’s theme: Nomadic Reciprocity, a multilayered reflection on what is given and what is taken as we move through space, and as we move here in Halifax over unceded and unsurrendered Mi’kmaq territory.

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Works by Marie-Line Leblanc and Sara Dignard

Tracing the gestures: Marie-Line Leblanc and Sara Dignard find everyday wonder on the Magdalen Islands

Songlines’ resident artists conduct a ‘geopoetic survey’ of local knowledge

Marie-Line Leblanc and Sara Dignard were to deny the Google Maps or other formal ways of mapping the area and seek the unwritten in the unexpected.

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A walk through Charlottetown’s Art in the Open 2014

The Scotiabank Nuit Blanche spectacle in Toronto with its more than 110 contemporary art projects gets most of the press, of course, but Charlottetown’s fourth annual Art in the Open—with more than 36 projects in six locations throughout PEI’s capital city—was an evening’s entertainment worth the travel. In 2013 I made the error of having...

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