Painting

Portable Culture: Soheila Esfahani

  Billions are said to be in global circulation. In the United States alone, five hundred million are manufactured every year. They are everywhere, including inside and outside of our large retail shops. Their ubiquity and number, however, do not guarantee their visibility. Few of us look at, let alone think about the wooden shipping...

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WAKA OKABAYASHI: Beauty in Biophilia

“Something happens when you’re walking and you’re kind of selecting which plant you want ... Sometimes I’m just walking and I’m not even thinking of collecting plants, but I see a plant and its almost like our eyes meet.”

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Pattern Clash: Andrew Cairns

“It can be powerful and provocative to bring decoration in. It’s unexpected and not always seen as high fine art."

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Redessiner les marges

Nous avons seulement eu une perspective de notre histoire, c’est la perspective des British. Les livres d’histoire ont été écrits d’après leurs témoignages.

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Redrawing the Margins

"In my paintings I highlight heroes that people should know who we don’t learn about in school. We didn’t know that there was an Acadian resistance."

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Indigenous artists vs. Paul Kane’s controversial legacy

Visual Arts News' research intern explores the legacy of two NFB films from the '70s—One film portrayed Indigenous people in visual art, while the other depicted Indigenous people as visual art.

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Amery Sandford

Amery Sandford: Master of ceremonies

Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.

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Daniel Hutchinson

Daniel Hutchinson: Shades of black

Daniel Hutchinson explores the artistic possibilities of black paint, sculpted with striations that capture or reflect light in ways that create the illusion of space.

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Marigold Santos’ hybrid selves

Inspired by the terrifying tales of mythical monsters she connected with as a child, Marigold Santos unravels her memories and experiences to form her own personal myths, inspiring viewers to do the same.

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Richard Mueller

Liberated Form

Richard Mueller is not so interested in coherent pictorial space or literal depiction as in the potential of formal arrangements to engender associative and emotional responses “independent of literal language.”

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Found in the Fog

  As we walked downtown, my friend described how two old hags had chewed on either side of her neck the night before. It wasn’t the first time. “I’ve learned that the trick,” she told me, “is that I just have to let it happen, to remind myself that it’s not real.” This was a...

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