Community

Beyond The Island, Another Island

Erik Moskowitz, Amanda Trager and Amish Morrell in Conversation

Cape Breton has existed as a Shangri-La of sorts for Americans for over half a century, firmly rooting itself in the imaginary of New York’s avant-garde circles, political radicals, draft dodgers, back-to-the-landers and, more recently, those simply looking for an affordable getaway.

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Neon Defiance

Stephanie Wu on Internet culture, self care and the role of allies today

"For a long time, the Internet felt like the safest space to have conversations about race, gender, sexuality and mental health, when the communities I was brought up in shamed these things."

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The myth of home

Jerry Ropson’s powerful exploration of loss

Jerry Ropson’s to kiss a goat between the horns is a memorial to a cultural vernacular and way of life that has already left us—his grandfather's rural Newfoundland culture.

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Ursula Johnson: Weaving history

"You begin to weave and it’s almost as if the wood is telling you what direction to move in"

Johnson is concerned that Mi’kmaq baskets will become obsolete, referenced only in archives or glanced at as artifacts on the dusty shelves of art collectors.

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Unearthing buried histories of African Nova Scotian artists

Our research intern takes us on a dig through the archives to 90s Halifax

"Chris! I have been secretly waiting for this email for decades! Talk to me."

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Amery Sandford

Amery Sandford: Master of ceremonies

Exploring our complex relationship with Newfoundland identity

Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.

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In This Place: The lasting impact of Nova Scotia’s first exhibition of Black artists’ work

Our research intern revisits a powerful 1990s exhibition and asks why we're not seeing more Black artists in galleries

Why In this Place was a groundbreaking exhibition for Black artists in Nova Scotia

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Looking back, Looking forward

Get to know our new research intern

Meet Visual Arts News' new research intern, who's going to be trawling through our archives revisiting all the stories we've told about the visual arts scene in Atlantic Canada over the past 40 years.

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Walking With Our Sisters pays homage to missing and murdered Indigenous women

Community members commemorate each individual life lost: "They are sisters, mothers, aunties, daughters, cousins, grandmothers, wives and partners. They have been cared for, they have been loved, they are missing and they are not forgotten."

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Exploring the landscape with Samuel Thulin’s “situated composition”

Samuel Thulin employs granular synthesis to create a sound art piece for Songlines

For me, sound and landscape go hand in hand. We travel through life being highly influenced by the sounds in our environment. Although hearing is not at the highest point of the sensual hierarchy, the sensuous space of sound is a powerful knowledge position to work from. Sound is used in medicine to determine the...

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Flotsam by Christopher Boyne

Christopher Boyne blurs lines between ‘artist’ and ‘non artist’ actors

Songlines’ resident artist explores an intimate relationship with the ocean

Christopher Boyne’s practice often revolves around maritime life and the sea. Born and raised on the east coast of Nova Scotia, his relationship with the ocean is intimate.

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Works by Marie-Line Leblanc and Sara Dignard

Tracing the gestures: Marie-Line Leblanc and Sara Dignard find everyday wonder on the Magdalen Islands

Songlines’ resident artists conduct a ‘geopoetic survey’ of local knowledge

Marie-Line Leblanc and Sara Dignard were to deny the Google Maps or other formal ways of mapping the area and seek the unwritten in the unexpected.

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