There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.
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Delving into the personal and surreal, Neil LaPierre is committed to bringing the HA-HA’s into art discourse.
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Richard Mueller is not so interested in coherent pictorial space or literal depiction as in the potential of formal arrangements to engender associative and emotional responses “independent of literal language.”
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L’Acadie Mythique, a travelling exhibition that recently visited the Saint Mary’s University Art Gallery, is curated by Harlan Johnson and features nearly twenty different artists from across the Acadian diaspora.
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Visual Arts News was excited to feature the work of artist Jordan Bennett in our Fall 2015 issue. In this online installation of her interview series, Current Conditions & Forecasts, Eryn Foster chats with Bennett about everything ranging from his experiences representing Newfoundland in Venice to his work bringing traditional Indigenous art forms into contemporary art discourse. ERYN FOSTER: You...
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In this installation of the Visual Arts News Podcast, our new host David Dahms picks artist Bridget Moser's brain about her latest show at MSVU Art Gallery in Halifax, Bridget Moser: Is This Thing On.
Read MoreAs we walked downtown, my friend described how two old hags had chewed on either side of her neck the night before. It wasn’t the first time. “I’ve learned that the trick,” she told me, “is that I just have to let it happen, to remind myself that it’s not real.” This was a...
Read MoreCathy Busby displays the artworks that the Confederation Centre Art Gallery’s first director, Moncrieff Williamson, acquired half a century ago on a shoestring budget ahead of a royal visit from the Queen. Or at least, what was left of them.
Read MoreThere's plenty worth getting excited about right now in the Atlantic Canadian arts scene, from new pop-up events to big gallery expansion plans. And if you're faced with a rainy Spring day, you can always pour over some of the reviews, interviews and online projects worth bookmarking this season.
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While exploring Anatomica, I experienced several moments of disorientation, unsure whether I was approaching a piece with stronger connections to an artists’ studio or a laboratory. Take the human spine curving from a steel frame in the gallery. From a distance, artist Sarah Maloney’s Vertebrae, Sacrum, Coccyx looks like a replica meant to be...
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