Archive

From the Archive: UNRAVELLING THE PRANKSTER

Before Demolition: Tides

Kent Monkman’s Shimmering Resilience

Indigenous art challenges and overthrows colonial expectations. It combats shame. It pushes beyond prejudice, shimmers with resilience, and counteracts art history’s Eurocentric mythology. First Nations Cree artist and curator, Kent Monkman’s exhibition Shame and Prejudice: A Story of Resilience responds to the Canada 150 celebrations through the subversive lens of his gender-fluid alter ego Miss...

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Landscape as Archive: Tracing Rivers + stories with Carrie Allison

CARRIE: Grass is so crazy! It’s like a sign of royalty—the fact that we still have it in our lives is very weird!

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From the archives: In bed with Carl Stewart

Editor’s note: Laura Kenin’s profile of Carl Stewart appeared in the Fall 2011 issue of Visual Arts News.   For many Haligonians living in a city full of students and other transient young people at a time of widespread bedbug fear, the sight of used mattresses may arouse disgust or serve as a reminder it’s end-of-the-school-year time again....

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Sneak peek: Spring 2014

Here’s a sneak peek of Visual Arts News Spring 2014 Issue, available on news stands across Canada February 1 and on Zinio January 15. Visual Arts News is happy to announce the Spring 2014 artist page competition winner, Sarah Burwash. Sarah Burwash grew up Rossland, a small mountain town in British Columbia, Canada, and currently...

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On the road with David Askevold

Retracing the footsteps of one of conceptual art’s most important contributors

Mike Landry traces conceptual artist David Askevold's chance encounters and collaborations on the road.

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A wolf in sheep’s clothing

Chris Foster`s Fronteirs in Real Estate

Eastern Edge Gallery, St. John`s, NL. December 15, 2012 – February 9, 2013 Halifax-based artist Chris Foster’s Frontiers in Real Estate explores contradictory themes of civilization—its fear stories, misguided good intentions and self-indulgent sincerities. Foster’s dark humour is never moral, at least not overtly. Composed of serigraphs, collage and small sculpture, his work considers the...

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Thinking Outside the White Cube

Eyelevel brings us portable galleries

In September 2012, Eyelevel Gallery, an artist-run centre in North End Halifax, was more than simply a venue to take in contemporary art. It transformed into the headquarters of the World Portable Gallery Convention, complete with a stately desk in the main space, a row of wristwatch faces on the wall displaying international time zones,...

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Artist Graeme Patterson and his multimedia installation The Mountain, 2012.

From Far And Wide

Tracing Oh Canada’s Atlantic Canadian Inspiration

Of the 62 Canadian artists featured in MASS MoCA’s extensive Oh Canada exhibition in North Adams, Massachusetts, several allude to the effect of dislocation and relocation in their artwork. The exhibition is the culmination of five years of research and planning by MASS MoCA curator Denise Markonish, who spent three years travelling to almost every...

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Down the Rabbit Hole: Tracking the evolution of Nova Scotia’s “Rabbit Movement”

“It’s been a few years, I’m trying to remember how it started.” Tom Young and I are sitting in the entranceway of the Eyelevel Gallery in Halifax. It’s February and we are at the launchparty for the Black Rabbit Arts Festival, a month-long series of playful events for the arts community. Black Rabbit features sculptural...

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