Redessiner les marges

Neon Defiance

Redrawing the Margins

"In my paintings I highlight heroes that people should know who we don’t learn about in school. We didn’t know that there was an Acadian resistance."

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Clay Rebellion

"My interpretation of art history is that craft is conceptual art. Craft was a whole new field invented by certain artists as a reaction to the industrial revolution."

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Brendan Fernandes’ hybrid ghosts

"For me growing up in East Africa and living in the Western world, when I first came, there was always this idea that I was exotic."

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The myth of home

Jerry Ropson’s to kiss a goat between the horns is a memorial to a cultural vernacular and way of life that has already left us—his grandfather's rural Newfoundland culture.

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Words of resistance

Johnson and Bennett create a fitting metaphor for the original and ongoing white-washing of Indigenous language and culture in our society at large and artistic culture in Canada.

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Landon Mackenzie’s hidden creative journey

“People thought I was a guy. I kept secret that I had three kids. I kept secret that I was a woman.”

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Amery Sandford

Amery Sandford: Master of ceremonies

Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.

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Ambera Wellmann brings illusion to Instagram

Ambera Wellmann's oil and Instagram works are in dialogue with the rich tradition of European painting. Wellmann's pushing both mediums and proving the timeless potency of the unsettling image.

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Holding space with Rachel Beach

That these pieces “live” as they do is overwhelmingly apparent in Mid-Sentence; they exist in conversation with each other across distance and time, a living interaction, and they evoke a sense beyond the physically sculptural, beyond image, to live in relation to the viewer.

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New Found Lands magnifies the margins

With New Found Lands, curators Pamela Edmonds and Bushra Junaid have reimagined a narrative by magnifying its margins.

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Flesh and fiber

WhiteFeather Hunter is creating living textiles: using her own hair, silk or gut sutures and mini 3D-printed looms and crochet hooks to weave scaffolding upon which connective tissue can foster.

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Marigold Santos’ hybrid selves

Inspired by the terrifying tales of mythical monsters she connected with as a child, Marigold Santos unravels her memories and experiences to form her own personal myths, inspiring viewers to do the same.

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