Magazine

ALANNA BAIRD’S UNFAMILIAR SEAS

Alanna Baird’s artwork infiltrates the New Brunswick vernacular, while also sparking important conversations around marine ecology in this time of climate crisis. As a longtime inhabitant of the small coastal community of St. Andrews, NB, Baird has closely observed the changing shoreline beyond her home. She maintains a dedicated ritual of engagement with the liminal,...

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Alex Antle’s Njikam (My Younger Brother)

Embedded within a matrix of dark stone on the second-floor landing gallery at The Rooms is the vivid and materially diverse exhibition Njikam (My Younger Brother) by emerging L’nu artist Alex Antle. Originally from Qapskuk (Grand Falls-Windsor), Antle is currently based in Elmastukwek (Bay of Islands) where her maternal Mi’kmaw ancestors are from, and where...

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Ji Hyang Ryu’s Culture Bridge

Ji Hyang Ryu has a warm and excitable personality that is reflected in her studio space in Riverview, New Brunswick. She welcomes me into a room resplendent with plants, books, and used canvases. She makes us coffee and begins sharing her story of what brought her from South Korea to Canada. Ryu has been interested...

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Tropical Gothic

Tropical Gothic is an exhibition curated by Excel Garay and Liuba González de Armas at the Khyber Center for the Arts (January 31 – February 11, 2023), which features the works of Cinthia Arias Auz, Kayza DeGraff-Ford, Carmel Farahbakhsh, Shaya Ishaq, Pamela Juarez, Marissa Sean Cruz, and Excel Garay. The group exhibition draws inspiration from...

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Heavy Momentum

Arts Atlantic Symposium Japanese artist Tomo Ingalls stands at the centre of the Tompkins Studio Hall within the Saint John Arts Centre. It is pitch black except for a soft spotlight hitting the performance area. A 220lb circle of recycled clay is surrounding her, with a larger circle of participants sitting in front of hanging...

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History, Heritage, and Home in the Quilt-making of Alfreda Smith

My grandmother, Rev. Alfreda Evangeline Smith (née Simmonds), was born October 23, 1939, in North Preston, Nova Scotia. She learned quilting from her mother, Annie Simmonds, who made quilts to help her family survive brutally cold winters in an uninsulated home. My grandmother was a proud descendant of Black refugees who evaded American slavery and...

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Emily Lawrence’s Food Dreams

Dartmouth Halifax-based artist Emily Lawrence posted Aquarius Dessert on her Instagram (@emilylawrenceca) on February 1, 2021. An elegant, salted crème brûlée dessert is pictured like a dancer in a white fluted bowl situated slightly off centre on a white ground. Golden candied hazelnuts rest like fallen stars on the flame-crusted sugar surface of the brûlée,...

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Beyond the Gallery

Beyond the Gallery is an anthology published by Laberinto Press (Edmonton, Alberta), as part of their Beyond series. The editorial team is made up of Luciana Erregue-Sacchi, Ana Ruiz Aguirre, and Liuba González de Armas. This publication of essays, according to the editors, seeks to “showcase the talent of some of the best literary professionals...

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Glitter and Magic

An incomplete history of queer art in Atlantic Canada

Queerness is fluid—it lives, breathes, and acts through fluidity. Like the ocean that surrounds Canada’s Atlantic region, and the tides that are pulled in to shore and recede again by the moon’s gravity, to be Queer, to live in Queerness, and to create as a Queer is to navigate a rigid world from a place...

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Miya Turnbull’s Self-Portrait Mask Art

Miya Turnbull kneels on the floor of a sunroom. Large photos of the Japanese Canadian artist, masked in ways that almost reveal, are placed along two walls. She’s getting pieces ready for a solo summer exhibit at Eltuek Arts Centre, Cape Breton; meanwhile, a group show, Unveiled, opens at The Beaney House of Art &...

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Call for Submissions: Craft

An issue that looks at CRAFT practices in Mi’kma’ki. Craft is an artform which takes a physical object or artefact – for example: wood, clay, ceramics, beadwork, basketmaking, glass, textiles – but then there’s the word meaning the skill of producing that object. Why is process important to craft? How does a craftsperson become an...

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Craft Inspires a New Atlantic Vernacular

In 2009, the preeminent Canadian craft historian Dr. Sandra Alfoldy wrote, “perhaps the fact we do not possess an instantly identifiable “Canadian” craft aesthetic is our aesthetic.” Beauty and truth are found in and among our differences, and authentic realizations come to fruition when we connect both because of and despite these differences. It is...

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