The cover of the current issue

Current Issue: Spring 2017

ORDER + CHAOS

RACHEL BEACH
GRAEME PATTERSON
RITA MCKEOUGH + MORE

Magazine
Holding space with Rachel Beach

Holding space with Rachel Beach

That these pieces “live” as they do is overwhelmingly apparent in Mid-Sentence; they exist in conversation with each other across distance and time, a living interaction, and they evoke a sense beyond the physically sculptural, beyond image, to live in relation to the viewer.
New Found Lands magnifies the margins

New Found Lands magnifies the margins

With New Found Lands, curators Pamela Edmonds and Bushra Junaid have reimagined a narrative by magnifying its margins.
Flesh and fiber

Flesh and fiber

WhiteFeather Hunter is creating living textiles: using her own hair, silk or gut sutures and mini 3D-printed looms and crochet hooks to weave scaffolding upon which connective tissue can foster.
Marigold Santos' hybrid selves

Marigold Santos’ hybrid selves

Inspired by the terrifying tales of mythical monsters she connected with as a child, Marigold Santos unravels her memories and experiences to form her own personal myths, inspiring viewers to do the same.
Towards a theory of grant aesthetics

Towards a theory of grant aesthetics

In an art world unbeholden to market forces, what’s the correlation between the jurors of funding councils and awards to who they render visible and the image of Canadian that presents to the rest of the world?
Disappearing Terrain

Disappearing Terrain

There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.
Going there: The playful pain of Neil LaPierre

Going there: The playful pain of Neil LaPierre

Delving into the personal and surreal, Neil LaPierre is committed to bringing the HA-HA’s into art discourse.
Liberated Form

Liberated Form

Richard Mueller is not so interested in coherent pictorial space or literal depiction as in the potential of formal arrangements to engender associative and emotional responses “independent of literal language.”
Echoes across time and space

Echoes across time and space

L’Acadie Mythique, a travelling exhibition that recently visited the Saint Mary’s University Art Gallery, is curated by Harlan Johnson and features nearly twenty different artists from across the Acadian diaspora.
Found in the Fog

Found in the Fog

  As we walked downtown, my friend described how two old hags had chewed on either side of her neck the night before. It wasn’t the first time. “I’ve learned that the trick,” she told me, “is that I just have to let it happen, to remind myself that it’s not real.” This was a...
Retracing the past

Retracing the past

Cathy Busby displays the artworks that the Confederation Centre Art Gallery’s first director, Moncrieff Williamson, acquired half a century ago on a shoestring budget ahead of a royal visit from the Queen. Or at least, what was left of them.
Physical Landscapes

Physical Landscapes

  While exploring Anatomica, I experienced several moments of disorientation, unsure whether I was approaching a piece with stronger connections to an artists’ studio or a laboratory. Take the human spine curving from a steel frame in the gallery. From a distance, artist Sarah Maloney’s Vertebrae, Sacrum, Coccyx looks like a replica meant to be...