Call for Artist Pages and Pitches

Precarious work, burnout, funding, selling, it's all about the hustle and the grind in Art & Labour - the Summer 2020 theme of Visual Arts News, because art doesn't get a summer holiday. We’re looking for pitches, ideas, stories and exhibitions about the intersections of Art and Labour in Atlantic Canada.

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From the Archive: UNRAVELLING THE PRANKSTER

James MacSwain Canadian Artist Spotlight at the 24th Images Festival, Toronto, On, April 1st, 2011

MacSwain is a prankster, with a wicked sense of humour and a voice-over, which is idiosyncratic in its tone and timbre. The Halifax-based filmmaker initially worked with puppet theatre, and that aesthetic is evident throughout his more than 20 films made over a 30-year period. Collage has always been central to MacSwain’s practice as well — certainly with his animation films, but also with his “documentary” and even dramatic works.

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How We Build: On Craft and Blackness

With the purpose of illuminating ideas on intergenerational knowledge and craft sharing as a means of fostering solidarity and resistance within and between the various Black communities in Nova Scotia, this panel will engage in ideas on locating pleasure, joy, and celebration as a survival tool while navigating structural oppression.

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Rogue, Rebellious, Ill-behaved, Black

Here We Are Here: Black Canadian Contemporary Art

Poet and artist Sylvia D. Hamilton’s multimedia installation of images, objects, and sound is heard and carried throughout the powerful exhibition Here We Are Here: Black Canadian Contemporary Art at the Art Gallery of Nova Scotia in Halifax, which inspired the title of the group show. The creation of this exhibit occurred within a specific...

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Before Demolition: Tides

“You could really feel the cold. Not just the climatic cold, but the coldness of being out on a fishing boat in the wind and the rain and pulling up fish from icy waters,” says Neufeld.

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Sovereign Acts

The exhibition Sovereign Acts includes the work of Indigenous artists Rebecca Belmore, Lori Blondeau, Dayna Danger, Robert Houle, James Luna, Shelley Niro, Adrian Stimson, and Jeff Thomas as they explore various aspects of artistic performance as an act of cultural resistance.

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Keeping the Lights On: Will Gill, Pepa Chan and Mike Gough

There is no exclusive formula that dictates whether a person is a Newfoundland artist. There is no set milestone one must reach to attain such title. For me, it’s simple: does this artist have a lasting and respectful relationship with this place? Do they speak with the place rather than at the place? Do they want to be here?

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Flowing Into Bonavista Biennale

Seawater churns white as the beginning of a storm throws waves into the cove far below my feet. I can’t see anything in the foam at first. Then a green kitchen chair appears, perfectly still on a flat, rocky outcropping, as if someone has just pushed it away from a table. In a moment it’s...

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Art Reads for Summer Moons

Books handpicked by our Editor

Moon phases are like reading habits, as we move through our days, nights, and lives guided by lunar cycles and folding the corners of pages, mapping meaning and making connections through art, poetry, criticism, and drawing.  This past Spring during MagNet 2019, Canada’s Magazine Conference, I had the opportunity to go to the moon, and...

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All These In-betweens

Logan MacDonald on how to reclaim what has been lost

MacDonald tells me that “this work is sad. It is about contemporary mourning and historical mourning, but it is also a call to action and to empathy.” In these betweens there is also a generative tension that illuminates hope and possibility.

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