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Hosted at Parsons School of Art and Design in New York City as part of Project Anywhere, the “Elsewhere and Anywhere” conference presents art and research at “the outermost limit of site specificity”. The project hosts artists whose work engages micro to macro – bringing smaller, localized stories into the international art realm and beyond. It offered the opportunity to tap into the artistic psyche and methods used to reach public audiences through art.

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The Most Important Thing

Unlike standard economic development, Cobb illustrates an arts-and community-centered approach can only move at the “speed of human trust,” which means that it presents unique barriers. When Cobb and her brothers pitched their proposal to the provincial and federal governments for funding assistance, they heard back that the idea was “not normal, practical, reasonable, or rational.” Cobb said that this was the moment that concretized her faith in Shorefast, which was formed in 2006 and has been an overwhelming success since.

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Resource Extraction: Meagan Musseau

“My response to the landscape is emotional,” says Meagan Musseau. “I observe and engage with the land and the social environment in which I live.”

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Portable Culture: Soheila Esfahani

  Billions are said to be in global circulation. In the United States alone, five hundred million are manufactured every year. They are everywhere, including inside and outside of our large retail shops. Their ubiquity and number, however, do not guarantee their visibility. Few of us look at, let alone think about the wooden shipping...

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Beyond The Island, Another Island

Cape Breton has existed as a Shangri-La of sorts for Americans for over half a century, firmly rooting itself in the imaginary of New York’s avant-garde circles, political radicals, draft dodgers, back-to-the-landers and, more recently, those simply looking for an affordable getaway.

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Neon Defiance

"For a long time, the Internet felt like the safest space to have conversations about race, gender, sexuality and mental health, when the communities I was brought up in shamed these things."

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The myth of home

Jerry Ropson’s to kiss a goat between the horns is a memorial to a cultural vernacular and way of life that has already left us—his grandfather's rural Newfoundland culture.

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Ursula Johnson: Weaving history

Johnson is concerned that Mi’kmaq baskets will become obsolete, referenced only in archives or glanced at as artifacts on the dusty shelves of art collectors.

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Unearthing buried histories of African Nova Scotian artists

"Chris! I have been secretly waiting for this email for decades! Talk to me."

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Amery Sandford

Amery Sandford: Master of ceremonies

Amery Sandford draws upon the history of touristic paraphernalia, such as postcards and brochures from the early 20th Century that depicted North America as a pristine escape from the cultural and economic troubles of one’s homeland—a new frontier.

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In This Place: The lasting impact of Nova Scotia’s first exhibition of Black artists’ work

Why In this Place was a groundbreaking exhibition for Black artists in Nova Scotia

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Looking back, Looking forward

Meet Visual Arts News' new research intern, who's going to be trawling through our archives revisiting all the stories we've told about the visual arts scene in Atlantic Canada over the past 40 years.

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