WhiteFeather Hunter is creating living textiles: using her own hair, silk or gut sutures and mini 3D-printed looms and crochet hooks to weave scaffolding upon which connective tissue can foster.
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There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.
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Editor’s note: Paper Doll first appeared in the Spring 2012 issue of Visual Arts News. Mention paper dolls to nearly any North American woman and the response is a soft “Oh, I loved my paper dolls.” While huge numbers of little girls spend hours happily re-inventing themselves through playing with their dolls, in later life,...
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Editor’s note: Laura Kenin’s profile of Carl Stewart appeared in the Fall 2011 issue of Visual Arts News. For many Haligonians living in a city full of students and other transient young people at a time of widespread bedbug fear, the sight of used mattresses may arouse disgust or serve as a reminder it’s end-of-the-school-year time again....
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