rural

Kym Greeley’s Highway Sightlines

Greeley uses the car windshield as a frame, and the highway as a major compositional element in her paintings. Objects often cropped out of tourism brochures, such as road signs, guardrails and lane markings, become significant features. The aesthetic of the highway is reflected in her refined style. Like the graphics used on highway signs, each element is clear and readable. Layered together, however; they create intricate compositions and complex, open-ended narratives

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The Most Important Thing

Art and the Rural Renewal of Fogo Island

Unlike standard economic development, Cobb illustrates an arts-and community-centered approach can only move at the “speed of human trust,” which means that it presents unique barriers. When Cobb and her brothers pitched their proposal to the provincial and federal governments for funding assistance, they heard back that the idea was “not normal, practical, reasonable, or rational.” Cobb said that this was the moment that concretized her faith in Shorefast, which was formed in 2006 and has been an overwhelming success since.

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Beyond The Island, Another Island

Erik Moskowitz, Amanda Trager and Amish Morrell in Conversation

Cape Breton has existed as a Shangri-La of sorts for Americans for over half a century, firmly rooting itself in the imaginary of New York’s avant-garde circles, political radicals, draft dodgers, back-to-the-landers and, more recently, those simply looking for an affordable getaway.

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In This Place: The lasting impact of Nova Scotia’s first exhibition of Black artists’ work

Our research intern revisits a powerful 1990s exhibition and asks why we're not seeing more Black artists in galleries

Why In this Place was a groundbreaking exhibition for Black artists in Nova Scotia

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Found in the Fog

Below the surface with Michael Pittman

  As we walked downtown, my friend described how two old hags had chewed on either side of her neck the night before. It wasn’t the first time. “I’ve learned that the trick,” she told me, “is that I just have to let it happen, to remind myself that it’s not real.” This was a...

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Where is here?

W(here) Festival re-imagines Pictou, NS

Mary MacDonald came home with a purpose. A candidate for an MFA in Criticism and Curatorial Practice at OCAD University, she spent the past year developing her thesis project, the W(here) Festival, which took place all over Pictou County from June 26-30. Asking the question, “where is here?” this arts festival focused on place, the...

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