Retracing the past

A conversation with Cathy Busby

Cathy Busby displays the artworks that the Confederation Centre Art Gallery’s first director, Moncrieff Williamson, acquired half a century ago on a shoestring budget ahead of a royal visit from the Queen. Or at least, what was left of them.

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Arts Scene Round Up

There's plenty worth getting excited about right now in the Atlantic Canadian arts scene, from new pop-up events to big gallery expansion plans. And if you're faced with a rainy Spring day, you can always pour over some of the reviews, interviews and online projects worth bookmarking this season.

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Physical Landscapes

Anatomica’s view on the interior

  While exploring Anatomica, I experienced several moments of disorientation, unsure whether I was approaching a piece with stronger connections to an artists’ studio or a laboratory. Take the human spine curving from a steel frame in the gallery. From a distance, artist Sarah Maloney’s Vertebrae, Sacrum, Coccyx looks like a replica meant to be...

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Art World Antidote

Folklore and Other Panics collapses stereotypes

Folklore And Other Panics addresses the impossibility of “alleviating anxiety around elitism” in the contemporary art world. And further, according to the exhibition’s pamphlet, “the works provide a constellation of ideas, responding in various ways to themes of absence and presence, community, the materials of storytelling, and the nature of authority.”

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Winter survival guide

Mireille Eagan's list of not-to-miss art events and projects this season

Winter is often described as a period of contemplation, but I admit that my thoughts mostly gravitate to murdering snow with my hairdryer. Thank goodness there are some exciting things to read and see in the art world that distract my frustration (and electrical bill). You see, I have a term for some people in...

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From the archives: Susan Wood’s Earth Skins

Editor’s note: This review of Earth Skins at Mount Saint Vincent University Art Gallery (Halifax, NS, August 23 – October 2, 2011) first appeared in the Spring 2012 issue of Visual Arts News. A retrospective publication of Earth Skins can be purchased here. I was the first visitor to wander into to Earth Skins: Three...

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From the archives: Cut/Fold/Play

Editor’s note: Paper Doll first appeared in the Spring 2012 issue of Visual Arts News.  Mention paper dolls to nearly any North American woman and the response is a soft “Oh, I loved my paper dolls.” While huge numbers of little girls spend hours happily re-inventing themselves through playing with their dolls, in later life,...

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From the archives: In bed with Carl Stewart

Editor’s note: Laura Kenin’s profile of Carl Stewart appeared in the Fall 2011 issue of Visual Arts News.   For many Haligonians living in a city full of students and other transient young people at a time of widespread bedbug fear, the sight of used mattresses may arouse disgust or serve as a reminder it’s end-of-the-school-year time again....

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From the archives: Mathieu Léger transforms cultural detritus

Editor’s Note: This review originally ran in the Fall 2014 issue of Visual Arts News. In Acadian author France Daigle’s 2012 novel Pour sûr, Antoinette opens a game of Scrabble against her husband, The Cripple, with a controversial 125 points. Her word, dialyse, she argued, to her husband’s chagrin, contained two vertical words—“y” and “a.” “It wasn’t the 21...

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From the Archives: Shary Boyle’s voice in the dark

“When creating Music for Silence I was inspired by the idea of the Universal, the power and insignificance of the individual, and how that relates to the idea of ‘voice." —Shary Boyle

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