Online

Portrait-of-Lance-Sampson-aka-Aquakulture

Jenn Grant’s Something to Believe In at the Prow Gallery

Shannon Webb-CampbellMarch 21, 20240

"Being able to express myself in more than one way has been a gift and something I didn’t really realize I was missing. I think that form of expression and being connected to such a strong local gallery has firmed up my yes’s and no’s. I am more careful with my time. I am seeing how quickly time can pass. Being a mother and demonstrating to my kids what is important to me in a day, what brings me joy, and the power of saying no is a daily practice and certainly something I want to be ingrained in them as well."

TRANSCRIPT – Meeting Waters: Cross-Cultural Collaboration On Environmental Racism

October 14, 20200

This event occurred on October 14th 2020, as an Anchor project of Nocturne Halifax. Meeting Waters: Cross-Cultural Collaborations on Environmental Racism with Ingrid Waldron was an online event centering Black and Indigenous solidarity through cross-cultural exchanges on environmental racism in Mi’kma’ki. Speakers and performers were brought together to share stories and experiences of environmental racism...

Online Reviews

Postmodern Blackness in Heather Hart’s Northern Oracle

Shannon Webb-CampbellMay 22, 20200

Black American visual artist Heather Hart’s series of rooftop oracles based on the four directions (East, West, North, and South) is an-ongoing series of work that offers prophetic predictions for imagining new futures. Most recently, she’s created Northern Oracle, an exhibition curated by Ann MacDonald and presented in partnership with the Africville Heritage Trust at...

Online

Art Reads for Summer Moons

Books handpicked by our Editor

Shannon Webb-CampbellJune 27, 20190

Moon phases are like reading habits, as we move through our days, nights, and lives guided by lunar cycles and folding the corners of pages, mapping meaning and making connections through art, poetry, criticism, and drawing. This past Spring during MagNet 2019, Canada’s Magazine Conference, I had the opportunity to go to the moon, and...

Online

How to Commemorate an Absence

Jessica Lynn WiebeApril 5, 2019Comments Off

In Nova Scotia and elsewhere people are grappling with the issue of what to do with monuments associated with a painful past, and are asking whether the action of tearing down statues like that of Edward Cornwallis in Halifax helps to redress a history of violence, or whether the removal simply hides or disguises what has happened. In thinking through the dilemma posed by this question, we are forced to consider when it is appropriate to remove a monument, what should happen to it when it is taken down, and what to do with the space left behind.

Community Focus Online

Appearance

Public and participatory practices here, elsewhere and anywhere.

Jessica WintonFebruary 4, 20190

Hosted at Parsons School of Art and Design in New York City as part of Project Anywhere, the “Elsewhere and Anywhere” conference presents art and research at “the outermost limit of site specificity”. The project hosts artists whose work engages micro to macro – bringing smaller, localized stories into the international art realm and beyond. It offered the opportunity to tap into the artistic psyche and methods used to reach public audiences through art.

Community Focus Online

Black Light, White Night

Nocturne 2018

Ryan JoseyNovember 14, 20180

This year was Nocturne’s tenth edition. A milestone for the organization, marked by a partnership with the Aboriginal Curatorial Collective, who helped select Raven Davis as Nocturne’s first Indigenous Curator. Davis, in turn, selected this Nocturne’s theme: Nomadic Reciprocity, a multilayered reflection on what is given and what is taken as we move through space, and as we move here in Halifax over unceded and unsurrendered Mi’kmaq territory.

Online

Welcoming our new Editor: Shannon Webb-Campbell

September 11, 20181

Shannon Webb-Campbell is a mixed Indigenous (Mi’kmaq) settler poet, writer, and critic. Her forthcoming book, I Am A Body of Land (Book*hug, 2018) attempts to explore a relationship to poetic responsibility and accountability, and frame poetry as a form of revisioning. Still No Word (Breakwater 2015) was the recipient of Egale Canada’s Out In Print Award. She holds a MFA in Creative Writing from University of British Columbia, a BA from Dalhousie University, and is currently completing a MA in English Literature at Memorial University of Newfoundland and Labrador. Shannon is a member of Qalipu Mi’kmaq First Nation, and currently lives in Montréal.

40 years Online

Indigenous artists vs. Paul Kane’s controversial legacy

Exploring depictions of indigenous people in art history archives

Chris ShaponesOctober 20, 20170

Visual Arts News' research intern explores the legacy of two NFB films from the '70s—One film portrayed Indigenous people in visual art, while the other depicted Indigenous people as visual art.

Online Reviews

Steele + Tomczak collect strangers’ confessions

The Long Time collapses the distance between "us" and "others"

Julia McMillanOctober 9, 20170

The works in The Long Time transmit the sense that you’re missing or meeting something, getting just a trace of what came before and what is coming next.