If the church is a display of God’s glory, Pitchpole is a display of conceptual art’s glory. Poetry by Erin Langille (acting as a psalm), Pitchpole (the hymn), jewellery by Shaya Ishaq (the relic), a sturdy set of speakers (the organ), and Ader (the saint). Does it matter that we don’t know the story of Ader and his ill-fated journey, or the many legends that have surrounded him since? Or is Ader's story simply Robinson’s invitation to work through whatever unfinished grief we hold in the cathedral of the contemporary art gallery?

There Is No One Story of Black Girlhood is a powerful and unyielding exhibition of Rebecca Fisk’s series of self-portrait paintings. As an African Nova Scotian artist based in Mahone Bay, Fisk’s acrylic paintings reveal what may lurk beneath the dominant culture of Nova Scotia’s mask of politeness. Her work alludes to the sinister insincerity...

Since October 2022, The Rooms Provincial Art Gallery has consecutively presented solo exhibitions in their gallery spaces by Mi’kmaq artists from Ktaqmkuk, specifically highlighting the artistic practices of Kelsey Street, Nelson White, and Alex Antle. Weljesi, the most recent exhibition to unfold in the fourth level art gallery, celebrates Mi’kmaw and settler artist Jerry Evans...