Black artists

Dance Like No One’s Watching

CELEBRATION AS LIBERATION As you venture deeper into the exhibition, a spread of black-and-white photographs lines the walls on either side of the room. On the right side is Allen D. Crooks’s Lose yourself to dance,most of which was photographed during a fiftieth-anniversary family celebration and vow renewal at the East Preston Recreation Centre. The photos pull you into a room full of joy, laughter, and celebration. Glistening suits and well-worn floors set the scene, as family members—old and young, anonymous and identified—strut their stuff, skirts swaying with the music, arms raised in jubilation.

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Justin Augustine, The Faith Catchers, 2000, oil on canvas. Dalhousie Art Gallery permanent collection, purchased with funds donated by Dr. John A. Scrymgeour, 2001. Photo: Steve Farmer

Mapping Black Resilience: Three Perspectives

Mapping Black Resilience: Three Perspectives at Dalhousie Art Gallery, which ran from February 4 until May 4, 2025, is an exhibition in three acts, which independently, yet in tandem, reconsider archival material and its role in the documenting and redocumenting of Black identity. The exhibition explores personal and collective experiences as archival documentation of Black...

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