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The Living is Easy

Madeleine Hansen

The Living is Easy

Struts Gallery & Faucet Media Arts Centre
May 6th - October 4th, 2019
artist: Alana Morouney, Emma Delaney, Miranda Bellamy, John Murchie, John Haney & Jon Claytor, Shake-n-Make, Izzy Francolini, Lacey Hawthorne, Rebecca Blankert, Mario LeBlanc, Bliss Behar & Meg Edwards, Indu Varma, Todd Fraser, Rena Thomas, and Lucy Koshan
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  • Tonight's How We Build: On Craft and Blackness panel discussion organizer and facilitator is francesca omolara ekwuyasi, a writer, filmmaker, and visual artist from Lagos, Nigeria. Her work explores themes of faith, family, queerness, consumption, loneliness and belonging. You may find her writing in Winter Tangerine Review, Brittle Paper, Transition Magazine, the Malahat Review, Visual Art News and GUTS Magazine. Her short documentary Black + Belonging screened at the Halifax Black Film Festival and Festival International du Film Black de Montréal this year. Read more about Francesca, the panelists and the event on our website.
  • Meet another of the great panelists for How We Build: On Craft and Blackness (Oct 18, 7pm at the Art Bar): Juanita Peters is a playwright, actor and film director. Peters has over 35 years of media experience. Her early career included radio and television host/reporter for various networks including CBC NB and AVR. A member of ACTRA, Writers Guild of Canada (WGC), Actors Equity (CAEA), Playwrights Atlantic Resource Centre (PARC) and a founding member of Women In Film & Television Atlantic (WIFT-AT), Peters is the Executive Director at The Africville Museum and teaches Playwrighting in the Theatre at Dalhousie University. More about the panelists and the event can be found on the Visual Arts News website.
  • Meet one of the panelists for How We Build: On Craft and Blackness, taking place this Friday, Oct 18 at 7pm at the Art Bar: NAT chantel is an interdisciplinary artist who engages subtle movement and repetitive processes to revisit memory and personal history as way to reclaim the body and voice. Language, lineal disruption and displacement from land and home claim permanence in her art. She has participated in Canadian Art Festivals Ignite the Night, Afterglow, and was chosen as a beacon artist for Nocturne (2019) and the first Indigenous curated Nocturne festival (2018). NAT was selected into the VANS Mentorship Program, the Summer Professional Development Residency with NSCCD and the Centre For Art Tapes Media Scholarship Program. Her poem Beauty was published in the first print-edition of Understorey Magazine: African Women Writers. Read more about all the panelists on our website.⠀ Photo by NSTT.

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