The cover of the current issue

Current Issue: FALL 2017

REBUILD

EMILY PITTMAN

BRENDAN FERNANDES

RAVEN DAVIS

Reviews
Steele + Tomczak collect strangers' confessions

Steele + Tomczak collect strangers’ confessions

The works in The Long Time transmit the sense that you’re missing or meeting something, getting just a trace of what came before and what is coming next.
The myth of home

The myth of home

Jerry Ropson’s to kiss a goat between the horns is a memorial to a cultural vernacular and way of life that has already left us—his grandfather's rural Newfoundland culture.
The NSCAD Venice Connection

The NSCAD Venice Connection

Representation of NSCAD across multiple shows and national delegations underline the school’s place in the broader art world, as well as Atlantic Canada’s slow move away from the international art world’s periphery.
Ursula Johnson: Weaving history

Ursula Johnson: Weaving history

Johnson is concerned that Mi’kmaq baskets will become obsolete, referenced only in archives or glanced at as artifacts on the dusty shelves of art collectors.
Words of resistance

Words of resistance

Johnson and Bennett create a fitting metaphor for the original and ongoing white-washing of Indigenous language and culture in our society at large and artistic culture in Canada.
Landon Mackenzie’s hidden creative journey

Landon Mackenzie’s hidden creative journey

“People thought I was a guy. I kept secret that I had three kids. I kept secret that I was a woman.”
Daniel Hutchinson: Shades of black

Daniel Hutchinson: Shades of black

Daniel Hutchinson explores the artistic possibilities of black paint, sculpted with striations that capture or reflect light in ways that create the illusion of space.
Mocean Dance animates its past in lightening speed

Mocean Dance animates its past in lightening speed

At fifteen years, the 2016 Lieutenant Governor of Nova Scotia Masterworks Arts Award winner Mocean Dance is one of the longest surviving contemporary dance companies in Atlantic Canada and well-known for its highly physical, collaborative work.
Exploring the landscape with Samuel Thulin's "situated composition"

Exploring the landscape with Samuel Thulin’s “situated composition”

For me, sound and landscape go hand in hand. We travel through life being highly influenced by the sounds in our environment. Although hearing is not at the highest point of the sensual hierarchy, the sensuous space of sound is a powerful knowledge position to work from. Sound is used in medicine to determine the...
Tracing the gestures: Marie-Line Leblanc and Sara Dignard find everyday wonder on the Magdalen Islands

Tracing the gestures: Marie-Line Leblanc and Sara Dignard find everyday wonder on the Magdalen Islands

Marie-Line Leblanc and Sara Dignard were to deny the Google Maps or other formal ways of mapping the area and seek the unwritten in the unexpected.
Disappearing Terrain

Disappearing Terrain

There’s a soft delicacy in the works that comprise Rilla Marshall’s Liminal Project, which makes the realization of its decidedly uncomfortable subject matter all the more jarring and arresting.
Going there: The playful pain of Neil LaPierre

Going there: The playful pain of Neil LaPierre

Delving into the personal and surreal, Neil LaPierre is committed to bringing the HA-HA’s into art discourse.